I’m excited to finally share that I’ve signed a contract with Bloomsbury Visual Arts (an imprint of Bloomsbury Academic) for my next book,
The Women Who Clothed the Stuart Queens: Gender and Work in the Royal Wardrobe and the Fashion Marketplace
The book examines the lives and changing work of the women who made, sold, managed and cared for the clothing of five Stuart queens between 1603–1714: Anna of Denmark, Henrietta Maria, Catherine of Braganza, Queen Mary II and Queen Anne.
Using a wide range of written, visual and material sources, including extensive royal household accounts, this book explores the clothing and fashion cultures of the Stuart period through the lens of the work performed by women (and men!) who worked in the shops of London and the private chambers of the royal household, sitting at the intersection of the fashion marketplace and the royal courts.
In doing so, it recovers the material knowledge and skills of women who clothed these queens. This includes makers and sellers such as seamstresses, silkwomen, tirewomen, mantua-makers and milliners, as well as elite women such as the mistress of the robes and mistress of the sweet coffers, and servants such as laundresses and wardrobe attendants, who worked to manage and care for clothing in Office of the Robes, a sub-department of the Queens’ household.
The book demonstrates that women of all sorts were closely involved in the creation of Stuart magnificence in the fashion marketplace and royal courts of seventeenth-century England and their work was often facilitated by private informal female networks that spanned elite and non-elite structures. This ‘upstairs-downstairs’ history also focuses on under represented periods of fashion history, particularly the period 1680-1715.
I’m really looking forward to getting stuck into writing the rest of the book and looking forward to taking you all on this journey and talking more about my research in both blog and Instagram posts.