Rebato, c. 1600-1625 Part One: Brief History and Materials Rebato, c. 1600-1625 Part Two: The Pattern Rebato, c. 1600-1625 Part Three: Making the Wire Frame Rebato, c. 1600-1625 Part Four: Making the Linen Collar Rebato, c. 1600-1625 Part Five: Finishing the Rebato 1. Pin the collar to the frame and check that it looks correct.… Continue reading Rebato, c. 1600-1625 | Part Five: Finishing the Rebato
Category: Rebato Collar
Rebato, c. 1600-1625 | Part Three: Making the Wire Frame
Rebato, c. 1600-1625 Part One: Brief History and Materials Rebato, c. 1600-1625 Part Two: The Pattern Rebato, c. 1600-1625 Part Three: Making the Wire Frame Rebato, c. 1600-1625 Part Four: Making the Linen Collar Rebato, c. 1600-1625 Part Five: Finishing the Rebato 1. Using my pattern, draw out the shape of the rebato collar on… Continue reading Rebato, c. 1600-1625 | Part Three: Making the Wire Frame
Rebato, c. 1600-1625 | Part Two: The Pattern
Rebato, c. 1600-1625 Part One: Brief History and Materials Rebato, c. 1600-1625 Part Two: The Pattern Rebato, c. 1600-1625 Part Three: Making the Wire Frame Rebato, c. 1600-1625 Part Four: Making the Linen Collar Rebato, c. 1600-1625 Part Five: Finishing the Rebato My rebato is based on a pattern drafted by myself using the rebato… Continue reading Rebato, c. 1600-1625 | Part Two: The Pattern
Rebato Collar, c. 1600-1625 | Part One: Brief History and Materials
The structural fashions of the early modern period in Europe reached a peak at the turn of the seventeenth century. Whilst the ruff, a gathered and starched linen frill that was worn around the neck, was still widely worn, at the beginning of the seventeenth century a new type of standing linen collar became fashionable.